ÂMonitoring,â in the context of Live, means passing a trackâs input signal on to the Our âExt.â example, these would be the individual audio/MIDI inputs and outputs. They are available from the lower chooser, or the Input/Output Channel chooser. If this signal type offers sub-selections or channels, Instance, for external connections via an audio or MIDI interface), and is called Within a chooser pair, the upper chooser selects the signal category (âExt.,â for All tracks haveĪudio outputs, except for MIDI tracks without instruments. The lower chooser pair (âAudio/MIDI Toâ) selects the trackâs output.Trackâs input is heard through the track. The Monitor radio button selects the monitor mode: the conditions under which the.Input from the respective sends ( see 15.4). Have an audio input, and MIDI tracks have a MIDI input.
The upper chooser pair (âAudio/MIDI Fromâ) selects the trackâs input.The Mixerâs In/Out Section and Mixer Section Selectors.įor every track that can play clips, the In/Out section has the same layout: Toggle its visibility using the I/O Mixer Section selector, or via the View The In/Out section can be independently shown or hidden from the Session and Arrangement The mixerâs In/Out section is Liveâs âpatchbay.â Most routing happens in the mixerâs track In/Out section, which offers, for every track, choosers to select a signal source and destination. In the context of Live, âroutingâ is the setup of the tracksâ signal sources and destinations